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Exceptional Condition. There are just a couple of very minor marks on the top of the guitar. Solid Spruce top, solid Indian Rosewood back and sides. Guitar is fully multiple bound with "antiqued" cream bindings. Radiused Ebony fretboard with Abalone inlay at the 12th fret. Mahogany neck, gold Gotoh tuners. Ebony peghead overlay with Alvarez inlay. Ebony bridge and armrest, 1 3/4" width at nut. Electronics work great. Sound and playability are quite good.

Exc (+) condition. Guitar is in fantastic shape. The only indications of prior use are some touches of fretwear from conscientious playing. No dings, scratches, cracks, or problems. Steel body with powder-coated "Polychrome" finish. Natural finish maple neck with rosewood fingerboard. Ivoroid dot position markers inlaid. Fingerboard is bound with ivoroid, tastefully placed cross-grain. Ivoroid truss rod cover. 19 frets total, with neck joint at 12th fret. National Resophonic logo on peghead. Kluson DeLuxe tuners. Guitar is highly playable. Loud and exciting!

Exc.(-) Condition. Limited Edition re-issue of the old "Century of Progress" guitars from 1933 to about 1941. This body style is in between a "Nick Lucas" and an L-00 body with a 1930's era vee neck and pearloid fingerboard with rosewood picture-frame inlays. Headstock is also pearloid with "picture frame" inlay of 1930's Gibson script logo and florish below, inset into Rosewood. silver metal-plaque on back of peghead says "Centennial Special " February, 1994. Almost no fret-wear, a few lines of finish checking.
1 3/4" width of fingerboard at nut. Gibson long scale (25 1/2"). Multiple white/black/white bindings around top and back of body, along fingerboard and around headstock, even on the heelcap. Solid pearl truss-rod cover. 1930's style fire-stripe pickguard. Simple white/black/white rosette at soundhole. Simple 1930's style rectangular Rosewood bridge with "cut-thru" saddle. Nickel Waverly tuners, silver-plated metal plaque on back of headstock. This guitar is #34 of a limited run of 100 that were handbuilt at the Gibson custom shop in Bozeman, MT, and signed by Ren Ferguson. The guitar is quite a piece to look at, but has really a very nice tone as well. Certainly not just a collector piece, but one to play as well.

Lightly bear-clawed German spruce top. Indian Rosewood back and sides. Mahogany neck with rounded "V" profile. Radiused Ebony fingerboard with abalone cut diamond inlays. Madagascar Rosewood peghead overlay with Collings logo inlaid at top. Nickel Waverly tuners. Gabon Ebony belly bridge with boxed intonated bone saddle. Bone nut.

Ivoroid bindings around top and back of body, end wedge, and heel cap. Top edge has wooden herringbone purfling. Back of guitar has wooden "zipper" backstrip inlaid in center. Ebony pins and endpin.

Note: This is an outstanding guitar! So much presence for a small body guitar. Fast, sure attack and full sound follows the attack. Good balanced sound. This guitar is a joy to play.
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Well-cared for previously owned Martin. Please call for description and pricing. (406) 327-9925. - See more at: http://gregboyd.com/instruments.html?...

SN: 26432. 1 3/4" width at nut. German Spruce top (no tongue brace), Rosewood back and sides. Mahogany neck. Radiused ebony fingerboard with pearl inlays. Ebony bridge. Rosewood peghead overlay with Collings logo inlaid. Made in Montana Waverly tuners. Bound with herringbone and ivoroid. Bone nut and saddle. This is the smallest size of guitar Collings makes (other than the Baby). Don't be fooled by its size, as this guitar is a tone machine. Once again Collings has paired German spruce with Indian Rosewood to create a big, rich sound that makes the guitar come alive from its first day out of the box. Coming in slightly smaller than a classical guitar, this single 0 is petite enough to use as a travel guitar, or plays quite nice as a small OM.
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