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VG.(+) Condition. There are two un-repaired side cracks on the trebe bout. There is lacquer checking throughout, and a fair number of dents and dings on both the top and back. Moderate fret wear. Tuners have been replaced. Strap button installed in middle of heel. Adirondack spruce top with multiple tortoise bindings. Mahogany back, sides and neck. Radiused Rosewood fingerboard with graduated pearl dot inlays. Sound is wide open with great power and presence. - See more at: http://gregboyd.com/instruments.html?...

New. Spruce top, Maple back, sides and neck. Radiused Ebony fretboard with pearl "diamond" inlays. Ebony peghead overlay with Weber logo inlaid in pearl. Nickel Grover tuners with pearloid buttons. Sound is solid with strong attack. *Call or email us about our discounted selling price. - See more at: http://gregboyd.com/instruments.html?...

Exc. Condition. No cracks. There are just a few mild signs of player wear on the violin. Spruce top, figured Maple back, sides and neck. Ebony fittings. Nice voice and workmanship. - See more at: http://gregboyd.com/instruments.html?...

Exc. Condition. Head shows some wear. Neck and frets are both in great shape. Bound Mahogany resonator with two concentric circles. Bound rosewood fingerboard. Jim Burlile tonering, Maple "old-floor" 3-ply rim. Mahogany neck, Rosewood fingerboard with elaborate pearl inlays. Keith standard tuning pegs with Ivoroid buttons. Railroad spikes on 7th & 9th frets. - See more at: http://gregboyd.com/instruments.html?...

New. This is a great early mandolin from a local builder, Don Dryer. We have had the pleasure of watching Don's instruments evolve into beautifully crafted tone producers in just a few short years. Don is just one of those guys who gets great tone, but also has the near-perfect craftsmanship to go along with it. Strikingly beautiful highly figured Maple back, sides and neck. Red Spruce top. Tobacco sunburst finish. Fully multiple bound. Nickel hardware. Allen tailpiece. Tuners have ivoroid buttons. Radiused Ebony fingerboard with pearl dot position markers. 1 1/8" width at nut. Flowerpot inlaid in peghead. This is a fine mandolin... in fact I would say it is world's beyond most builders for mandolin #4. It is very alive and resonant with no distractive unresolved tones. Great balance, great low G string. Depth, nuance, projection... they're all here. This mandolin has only been here a few short days, but already local players who've tried it are quite impressed. We see lots and lots of good mandolins through here, yet we are impressed with this one, as well. - See more at: http://gregboyd.com/instruments.html?...

VG.(+) Condition. The top, back and sides all have a few minor dings. There is some minor wear on the frets, and a small area of finish rubbed off the back of the neck around the first fret area. Engelmann Spruce top with Ivoroid binding. Highly figured Maple back, sides and neck. The back, fretboard and peghead also have single Ivoroid binding. Radiused Ebony fretboard with pearl dot inlays, Ebony peghead overlay with "Flowerpot" inlay. Sound is strong with a good voice. - See more at: http://gregboyd.com/instruments.html?...

New. Bearclaw Sitka spruce top with Sycamore binding. Madrone back and sides. Maple neck, radiused Jatoba fretboard. Neck has carbon fiber truss rod. Schaller tuners with pearloid buttons. "Double Helix" headstock inlay. Sound is very nice with good chop. - See more at: http://gregboyd.com/instruments.html?...

New. Newest model for Huber. Mahogany banjo with white bindings on resonator and along fingerboard. Mahogany resonator has white concentric circles inlaid. Ebony fingerboard with pearl inlays. Nickel tuners with Ivoroid buttons. Ebony peghead overlay with pearl Huber logo. Matte finish. Sound is strong and present. It looks good, feels good and sounds good. - See more at: http://gregboyd.com/instruments.html?...

Exceptional condition. This guitar is from the highly respected builder, Michael Marler, who passed away in May 2005. This guitar exhibits craftsmanship at the highest level of guitar building. Not only did he use the finest woods, but Marler's methods are impeccable. Barely any signs of player wear. High-grade Madagascar Rosewood back and sides. High-grade Adirondack Red Spruce top. Mahogany neck with three-piece stringer down the center from peghead to heel. Gabon Ebony fingerboard and bridge. Rosewood peghead overlay. Flamed koa bindings work so attractively in tying together the different woods around the edges of the body and peghead. Peghead has very artistic rose inlay of gold pearl, white pearl, and abalone. Face of peghead shows multiple wood marketry strips inside the koa binding. Handmade brass truss rod cover. Gold Schaller tuners with ebony buttons. Gabon ebony fingerboard has cut diamond inlays and also shows a purfling line all around the fingerboard, like a picture frame. Top is very high grade Adirondack Red Spruce showing all the aspects of red spruce: grain variation from wide to tight, beautiful medullary rays, and red streaks. Top has elaborate yet tasteful soundhole rosette of multiple wood purflings with a centerpiece of very intense abalone. Gabon ebony bridge with boxed intonated bone saddle. Beautiful original nut. Multiple wood purflings are also seen along the top, sides, and centerseam of back. Flamed koa heelcap also shows multiple wood purfling. Flamed koa endwedge also mitered in with multiple purflings. Original clear pickguard. Ebony bridgepins. Jack professionally installed, but no pickup in guitar. Mr. Marler installed the jack while building instead of a regular endpin so that a future owner could have a pickup installed without needing to drill the hole. Gold strap button professionally installed in neck heel. Action is beautifully low and the sound is very sensitive yet extremely powerful. - See more at: http://gregboyd.com/instruments.html?...

Exc(+) condition. Only has barest signs of previous playing - no fret wear! Maple banjo with colorful stains and sunburst on the wood. Back of neck shows a highlight of Black Cherry color down the main bole, with darker back of headstock and heel. Resonator has matching Black Cherry color on resonator side walls. The resonator back shows a more traditional three-color sunburst, with the Black Cherry again used as middle color tone. Resonator has multiple cream bindings along top and back edges and concentric circles inset into the resonator back. The neck is bound with cream binding and has a multiple layer heelcap. Flat Rosewood fingerboard with Flying Eagle inlays. Planetary tuners with matching ivoroid buttons. Traditional bluegrass construction, with Flathead tone ring and 1-pc flange on 3-ply Maple Wood rim. This is a fine banjo for the price. The sound and feel are both very good. The only real signs of use is a little head wear. New, these sell for over $800 with a good hard cases. Here is one hardly used, WITH the original hard case, for lots less. - See more at: http://gregboyd.com/instruments.html?...

New (Demo). This guitar is in nice new condition, but has been handled and played at some shows and festivals and has a couple of small dings on the top. It comes with same warranty as any new one, though. Beautiful traditional tobacco sunburst. 1 3/4" width at nut. Mahogany back, sides and neck. German Spruce top. Rosewood fingerboard and bridge. Pearl dots inlaid in fingerboard. Nickel Grover open-back tuners. Body has multiple wood purfling with cream outer binding. Haxton logo inlaid in peghead. This is a very nice guitar... especially when you factor in the price. Big and bold sound with lots of power. Bass is especially nice in having a beautiful "bounce". - See more at: http://gregboyd.com/instruments.html?...